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	<title>Honey Kraiwee </title>
	<link>https://honeykraiwee.com</link>
	<description>Honey Kraiwee </description>
	<pubDate>Sat, 07 Nov 2026 20:54:14 +0000</pubDate>
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		<title>Front page</title>
				
		<link>https://honeykraiwee.com/Front-page</link>

		<pubDate>Sat, 07 Nov 2026 20:54:11 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

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		<description>Exhibitions
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Curator, project leader, and creative producer with years of experience working with Kunstinstituut Melly, Nieuwe Institute, 1646 Experimental Art Space, TENT Rotterdam, MaMA Rotterdam, among many others.


Conversation, Lecture &#38;amp; Writing


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I’m always curious about artistic practices and the people behind them. Alongside creating exhibitions, one of the things I enjoy most is connecting with artists, designers, and creative makers through conversation. I love learning about what inspires them, how they work, and the ideas that shape their practices. These conversations often open up new perspectives and ways of thinking, and they’re a meaningful part of what I do.


Public programmes

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Public programmes bring exhibitions to life by creating spaces for encounters, conversations and shared experiences. I believe in bringing together people from different backgrounds to explore a particular topic, allowing diverse perspectives to meet and sometimes challenge one another. Through these exchanges, I see public programmes as a way to open up multiple meanings, share knowledge and create new connections.
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	<item>
		<title>Mobile nav</title>
				
		<link>https://honeykraiwee.com/Mobile-nav</link>

		<pubDate>Sat, 07 Nov 2026 20:54:11 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

		<guid isPermaLink="true">https://honeykraiwee.com/Mobile-nav</guid>

		<description>Infrastructures of Solidarity I: The Aesthetics of MutualityDraw Withdraw Redrawdonna Kukama: I Breathe, You BreathePsalm for a Hungry Ghostwhat it is, what it means and what i would like it to beThe Shrine, Non Native Native FairAncestral FortuneHoney Kraiwee in conversation w/ Samboleap TolVisualising the In-between LensPublishing the public(ation): what it means to make something publicMOONMOON CalendarCoronets, Thonglor Art SpaceAbout
CV
Instagram</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://honeykraiwee.com/About</link>

		<pubDate>Sat, 07 Nov 2026 20:54:11 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

		<guid isPermaLink="true">https://honeykraiwee.com/About</guid>

		<description>
	



	


Honey Kraiweeฮันนี่ ไกรวีร์Honey Kraiwee is an Associate Curator at Kunstinstituut Melly in Rotterdam, the Netherlands. Prior to joining Melly, she worked as an independent curator and exhibition producer. Her curatorial interests center on practices that challenge normative frameworks and move beyond linear modes of thinking. Her work is often grounded in spirituality, world-building, and critical engagements with Asian philosophies and cultures. She explores queering as a way of thinking and living, astrology as a practice of love and care, and ancestral knowledge as both technology and innovation.She holds an MA in Arts and Heritage: Policy, Management, and Education, with a specialization in curating, from Maastricht University. Honey is also a co-curator of Non Native Native, a platform that examines the Asian creative scene in the Netherlands from an “outsider-from-within” perspective.



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	<item>
		<title>Infrastructures of Solidarity I: The Aesthetics of Mutuality</title>
				
		<link>https://honeykraiwee.com/Infrastructures-of-Solidarity-I-The-Aesthetics-of-Mutuality</link>

		<pubDate>Sat, 07 Nov 2026 20:54:12 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

		<guid isPermaLink="true">https://honeykraiwee.com/Infrastructures-of-Solidarity-I-The-Aesthetics-of-Mutuality</guid>

		<description>


	
&#60;img width="1875" height="2300" src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" data-src="https://freight.cargo.site/t/original/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg"&#62;
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&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/f6dbd13ee16dd541828acaf13c4ecc0e35abc76b7c347233a3abb90035429d35/SWAB_Viernes_DSCF5086_MarcMedina_LOW.jpg" data-mid="254101170" border="0"  src="https://freight.cargo.site/w/1000/i/f6dbd13ee16dd541828acaf13c4ecc0e35abc76b7c347233a3abb90035429d35/SWAB_Viernes_DSCF5086_MarcMedina_LOW.jpg" /&#62;

Infrastructures of Solidarity I: The Aesthetics of Mutuality
Friday 9th October 2026, 16:30-18:00Moderator: Honey Kraiwee (Kunstinstituut Melly)Participants: Francisco Rubio (La Fundició), Gerardo Contreras (Biquini Wax ESP / Dam Dam), Fajar Abadi (Gelanggang Olah Rasa), Eliyah Messayer (All all all), Hedda Grevle (Podium), Jet Pascua (Small Projects)Language: EnglishSolidarity isn't proportional to distance. The talk brings together independent collectives and spaces from the local scene, from the Nordic region, and from Southeast Asia, places separated by real geography that still build networks of collaboration across them. At a moment when borders are hardening rather than opening, the talk asks how these moments and forms of togetherness end up strengthening networks of collaboration and artistic friendship instead. That distance closes fastest around a table, shared meals, shared housing, shared land, all point to value produced through people cooking for each other and tending the same plot. The talk asks what happens when those practices enter a fair, and how they form transnational solidarity and networks of collaboration.This conversation is part of Polar and Tropic, Swab's curated program connecting artistic scenes from Northern Europe and the Southeast Pacific.
Listen to the conversation here.



Photos by Marc Medina</description>
		
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	<item>
		<title>Draw Withdraw Redraw</title>
				
		<link>https://honeykraiwee.com/Draw-Withdraw-Redraw</link>

		<pubDate>Sat, 07 Nov 2026 20:54:12 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

		<guid isPermaLink="true">https://honeykraiwee.com/Draw-Withdraw-Redraw</guid>

		<description>
	
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Draw Withdraw Redraw
Saturday 23 May — Sunday 4 October 2026
Kunstinstituut MellyDraw Withdraw Redraw, a group exhibition featuring work by AYO, Bani Abidi, Cinthia Marcelle, Felipe Mujica, Misheck Masamvu, Nohemi Perez, and Thierry Oussou.
To draw, drawing from, drawing with, drawn to, to being drawn in, a draw–returning to the drawing board as a space to rethink and make new plans for a desired waywardness.Drawing to leave a mark on paper, on fabric, on the ground […] drawing to create movement [...] drawing to extract [...] drawing in the game of chance [...] drawing to neither lose nor win [...] Departing from the extended sense of drawing, Draw Withdraw Redraw foregrounds recognition, resistance, and reinvention.To draw withdraw redraw situates us in a state of ongoingness, returning to the same that is not the same. Movement seeks flight without yearning to land. There is constant negotiation, chance-taking and self-preservation, because we never left drawing… because drawing is where we can always pull from…To draw, drawing from, drawing with, drawn to, to being drawn in, a draw.





The exhibition is curated by Gabi Ngcobo, Honey Kraiwee, Alicia Grobholz&#38;nbsp;Photos by&#38;nbsp;Kristien Daem</description>
		
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	<item>
		<title>I Breathe, You Breathe</title>
				
		<link>https://honeykraiwee.com/I-Breathe-You-Breathe</link>

		<pubDate>Sat, 07 Nov 2026 20:54:12 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

		<guid isPermaLink="true">https://honeykraiwee.com/I-Breathe-You-Breathe</guid>

		<description>
	
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donna Kukama: I Breathe, You Breathe
Saturday 11 October 2025 — Sunday 29 March 2026
Kunstinstituut MellyI Breathe, You Breathe brings together donna Kukama’s sound, videos, paintings, drawings, sculptures, and performance documentation spanning two decades of her artistic practice, along with a newly commissioned mural and performances that will take place throughout the exhibition period. Approaching history as a living and breathing body, donna invites us to breathe in the company of lesser-known stories, reimagine what it means to write a historical text, and to fluidly inhabit spaces of contradiction, plurality, and becoming, reflecting and mirroring the messiness of history.

donna is an interdisciplinary artist and creative researcher whose practice is grounded in breath as a grammar for storytelling and memory work. Known for her performance practice, her continued engagement with the medium, alongside its translations and transmutations into other forms, remains a tool to invent and reimagine the conventions and institutions of art, historical writing, and monument-making.

Aligning with donna’s approach to engaging with history, the exhibition is intentionally unchronological and layered, echoing her multiplicity and non-linear storytelling methods that weave and intertwine histories, rumors, gossip, and poetic ruptures into socio-political contexts. In her drawings and paintings, she rhythmically and repetitively renders written language obsolete, leaning instead toward gestural and invisibilized forms of knowledge-making “go kgapha” from her maternal lineage. Her sculptural works, which document moments in her performances, become miniature monuments drawn from the earth and rendered in clay, copper, and steel. In her sound works, the presence of breath, the human voice, the wind, and oceans transform the exhibition into a living archive of survival, resistance, and reclamation.





The exhibition is by Gabi Ngcobo and Honey Kraiwee
Photos  by Kristien Daem</description>
		
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		<title>what it is, what it means and what I would like it to be</title>
				
		<link>https://honeykraiwee.com/what-it-is-what-it-means-and-what-I-would-like-it-to-be-1</link>

		<pubDate>Sat, 07 Nov 2026 20:54:13 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

		<guid isPermaLink="true">https://honeykraiwee.com/what-it-is-what-it-means-and-what-I-would-like-it-to-be-1</guid>

		<description>
	
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what it is, what it means and what I would like it to bePris RoosJanuary 26 - April 21, 2024TENT Rotterdam

Through a mixed-media installation with portraits and stories of nine individuals, artist Pris Roos invites you to delve into the complexity of our lives. The portrayed, all with a connection to Rotterdam, unfold their layered journey through conversations with the artist, recorded in audio fragments. With the solo exhibition 'what it is, what it means and what I would like it to be' Roos creates a space in which you can explore your own sense of family and feel at home.

The portrayed women and non-binary people, all familiar faces from Roos' own circle, serve as muses for this special collection. Visitors are introduced to the people through short audio fragments, in which Roos has vulnerable conversations with them. Family, growing up, immigration, queerness, gender and gender transition are intimate themes explored in these conversations.

“We have been thinking about the complexity of presenting our intimate and personal stories within the format of an exhibition in an art institution. It is a challenge, we must say. Despite the difficulty, we have chosen to open up and dedicate this exhibition to you – to those of us who live lives in between, who struggle with the feeling of not quite belonging.

By sharing these lived experiences and honest thoughts, we hope to create a space where you, our audience, can connect and resonate. We hope this exhibition speaks to you, that you feel heard, and that it encourages you to find and build your own family. Your presence is what turns this collection of stories into a community. This exhibition is more than a showcase; it is a gesture of solidarity and a shared exploration of the in-between.” – Pris Roos &#38;amp; curator Honey Kraiwee

The conversations took place in a place where the portrayed feel at home, the same place where they were captured. The exhibition invites you with images and sound into the personal living environment of the portrayed. Immortalized on cardboard are Bibi Fadlalla, Merel Dap, Fyn Paulina Bonita, Xiang Yu Yeung, Sofia Boschat-Thorez and daughter Nour, Jay Reeberg, Eileen Felida, Yin Yin Wong and Kaoutar Gadir, all active in the Rotterdam art and culture world.



Visit the exhibition on TENT’s website here.</description>
		
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		<title>Ancestral Fortune</title>
				
		<link>https://honeykraiwee.com/Ancestral-Fortune</link>

		<pubDate>Sat, 07 Nov 2026 20:54:13 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

		<guid isPermaLink="true">https://honeykraiwee.com/Ancestral-Fortune</guid>

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Ancestral Fortune
Artworks by Jiajia Qi and Junghun KimWritten language by Alice Sparkly KatVisual language by Wanwai Shum

MaMA Rotterdam, 2021
Ancestral Fortune is a cosmic journey where past fuses into future. This exhibition invites you to let go of your human perception and step into the universe of the nonhuman that lives side by side with us. In this space, we respect those who can see without eyes, hear without ears and speak without mouths. Slowly and communally we observe the fluid patterns of nature and learn to understand their rhythmic changes.
-When I had the opportunity to propose a project to MAMA, I was interested in revisiting the Five Elements theory, which has elements of Feng shui, Chinese medicine, acupuncture, astrology and the almanac. I got interested in the theory because I am of Chinese descent. I grew up in Bangkok, a westernised metropolis full of contrast between capitalism and animistic beliefs. My family practises rituals from the motherland, of which some have been banned in China ever since the Cultural Revolution because they are deemed illogical and do not help the country progress. However, I often resort to this inexplicable information whenever logic can’t calm my mind. So, I thought that I would like to offer you another way of looking at ourselves and the world.I hope you enjoy your visit and could grasp something. It doesn’t matter what it is. Most of all, I would love to convey to all of you, who come from a culture which has been made inferior to the dominant one, and those who are told to look up to the west, to look down on yourselves and follow western norms, that I hope this Five Elements theory could empower you to cherish the ancestral fortune that has been passed on to you. 

Visit the exhibition on MaMA’s website here.
Photos by Lotte</description>
		
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		<title>MOONMOON calendar</title>
				
		<link>https://honeykraiwee.com/MOONMOON-calendar-1</link>

		<pubDate>Sat, 07 Nov 2026 20:54:14 +0000</pubDate>

		<dc:creator>Honey Kraiwee </dc:creator>

		<guid isPermaLink="true">https://honeykraiwee.com/MOONMOON-calendar-1</guid>

		<description>
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MOONMOON Calendar
SPACE101, Rotterdam
OT301, AmsterdamLunar Festival, 2020
Written by Djuna Couvee 马
Designed by Sijing Zhang 龙Animated by Oana Clitan 蛇Printed by Tatjana Bladt-Cohen 羊 with AGA LABCurated by Honey Kraiwee 马
MOONMOON is an everlasting cyclical lunar calendar. Combining all forms and shapes of wisdom the makers could get their brains on. This work combines modern meaning making, natural phenomena and complex cultural exchange. Guided you through the phases of the moon by the fish of abundance 魚 and&#38;nbsp;in line with the traditional Chinese calendar, daily horoscopes and lucky subjects are included.&#38;nbsp;Throughout this voyage, we shall use fiction, non-sacred spirituality and sarcasm to reflect on humanity and to imagine alternative spaces. MOONMOON will give you curiosity based on advice and lunar exploratory visuals.&#38;nbsp; 


Like the animals of the zodiac, order of arrival will determine the rest of your life.


Will you hitch a ride on the ox? Jump from his back just before he gets there, making you the first? Wear red lipstick, red underwear or a red coat for the best experience. Bathe in the artificial moonlight. Lock your tides to our shores. Please feel welcome, celestial body, to orbit around. </description>
		
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